MiniMax H3に$30課金してわかった、AI広告動画の品質を決めるのはモデルではなくプロンプト

code
subject_definitions:
<Subject 1> is the baseball pitcher in <Picture 1>: a Japanese high school boy in a navy cap, white pinstriped baseball uniform, navy undershirt, leather glove, with a faint blue-white energy aura.
<Subject 2> is the soccer forward in <Picture 2>: a Japanese high school boy with tousled dark-brown hair, crimson shirt with black trim, black shorts, crimson socks, with a faint crimson-orange ember aura.
<Subject 3> is the basketball point guard in <Picture 3>: a Japanese high school girl with a black high ponytail, purple sleeveless jersey and shorts with white trim, with a faint violet aura.
<Subject 4> is the volleyball wing spiker in <Picture 4>: a very tall Japanese high school boy with a black undercut, cobalt-blue sleeveless jersey, white knee pads, with a faint cyan electric aura.
<Subject 5> is the kyudo archer in <Picture 5>: a Japanese high school girl with long black hair in a low ponytail, white kyudo-gi, black hakama, white chest protector, holding a tall asymmetric yumi bow, with a faint golden-white aura.
<Subject 6> is the environment shared by all five pictures: a vast pitch-black gymnasium studio, one athlete alone under a single sharp overhead spotlight with a volumetric cone, polished wooden floor with subtle reflections.
<Picture 6> is the keyframe of the final shot: a weathered off-white recruitment poster taped to a dark gym wall under a spotlight, with bold black brush calligraphy reading "部員募集" in two lines, a smaller sans-serif line "未経験者大歓迎", and a small red seal stamp at its lower right.

summary:
[reference generation + keyframe completion] The target video is a 15-second vertical 9:16 cinematic high-school club recruitment film. <Subject 1> through <Subject 5> each perform one explosive play inside <Subject 6>, handing the play club to club like a relay pass on match cuts, with giant English club names as studio typography. It ends on <Picture 6> as the arrow of <Subject 5> pierces the poster's exact center.

retention_analysis:
<Subject 1> (appears in [Shot 1]): fully_preserved - face, cap, uniform and aura retained.
<Subject 2> (appears in [Shot 2]): fully_preserved - face, kit and aura retained.
<Subject 3> (appears in [Shot 3]): fully_preserved - face, ponytail, uniform and aura retained.
<Subject 4> (appears in [Shot 4]): fully_preserved - face, jersey, knee pads and aura retained.
<Subject 5> (appears in [Shot 5]): fully_preserved - face, kyudo-gi, hakama, bow and aura retained.
<Subject 6> (appears in every shot): fully_preserved - the black studio gym, single spotlight and reflective floor never change.
<Picture 6> ([Shot 6] keyframe): fully_preserved - the poster layout and every Japanese character reproduce pixel-accurately; the arrow strike is an added event.

detailed_description:
The target video is a photorealistic cinematic vertical 9:16 sports film with exactly 6 cuts, mixing normal speed and dramatic slow-motion ramps, 85% athletic action and 15% giant typography. Each club name appears as one giant correctly spelled bold white condensed sans-serif English word standing in the darkness behind the athlete like massive studio set typography, partially occluded by the athlete's body, never a subtitle.
[Shot 1] Inside <Subject 6>, <Subject 1> winds up in the spotlight as the giant word "BASEBALL" stamps in behind him with one hard shake. At normal speed he coils and fires a pitch toward frame right; at release the film ramps into slow motion, blue-white aura streaming off his arm and the ball. His cleat scrapes the floor and his uniform snaps. The camera arcs around him with small amplitude at fast speed.
[Shot 2] At 00:02.800, match cut: the same ball flies into the next pool of light and becomes a soccer ball mid-air. <Subject 2> chest-traps it in slow motion with a deep thump, crimson-orange aura rippling from the impact, as the word "SOCCER" slams in behind him. Speed snaps to normal: one sharp dribble touch, then a full-power shot toward frame left, embers trailing the ball. Tracking shot with small amplitude at fast speed.
[Shot 3] At 00:05.800, match cut: the flying ball drops into the next spotlight as a basketball. <Subject 3> catches it with a loud slap as "BASKETBALL" snaps in behind her. She pounds one low crossover dribble, shoes squeaking on the wood, then rises into a jump shot; at the top of her arc the film ramps into slow motion, violet aura swirling as the ball leaves her fingertips. The camera pushes in with small amplitude at fast speed.
[Shot 4] At 00:08.800, match cut: the ball arcs down as a volleyball toss. <Subject 4> hangs mid-leap in slow motion at the peak of his jump, cyan aura crackling along his spiking arm, the word "VOLLEYBALL" towering behind him. Speed snaps to normal as he spikes the ball straight down with an explosive slam. Low-angle static shot with one hard impact shake.
[Shot 5] At 00:11.000, hard cut to stillness: <Subject 5> stands side-on at full draw, absolutely motionless, golden-white aura drifting along the bow and arrow, as "KYUDO" fades in quietly behind her. The bowstring creaks once in the silence. At 00:12.300 she releases: an extreme slow-motion twang, the arrow flying toward frame right trailing golden particles. Static shot.
[Shot 6] At 00:13.000, the shot's keyframe corresponds to <Picture 6>: the poster alone in the spotlight. The arrow enters in slow motion, then speed snaps to normal as it pierces the exact center of the poster with a deep thunk; the paper ripples, dust drifts in the beam, golden particles settle. The frame holds cleanly until exactly 15.000 seconds.
Throughout: preserve each athlete's exact face, proportions, hairstyle, uniform, materials and colors; never redesign them. No dialogue, no narration, no singing. The only readable text is the five English words above and the poster's Japanese characters from <Picture 6>; no subtitles, no caption strips, no watermarks, no logos. Auras stay restrained; no cartoon speed lines, no game-style bursts. Exactly 6 cuts.

overall_soundscape:
Athletic sounds sit clearly in front of the music at all times: cleats scraping wood, fabric snapping, ball whooshes, the deep thump of the chest trap, a basketball pounding hardwood, sharp shoe squeaks, the explosive slap of the spike echoing in the vast gym, the creak and twang of the bowstring, the arrow's thin whistle, and the final deep thunk into paper with a soft flutter. A faint large-room air tone continues throughout. No dialogue and no singing.

non_diegetic_music:
A restrained cinematic percussion track at a moderate driving tempo, deep taiko-like drums and sparse ticking hi-hats, always mixed beneath the athletic sounds. It builds one step at each cut, drops to near silence at 00:11.000, holds a single low drone through the draw and release, lands one low resonant hit as the arrow strikes at 00:13.800, and resolves to silence exactly at 15.000 seconds.

code
subject_definitions:
<Subject 1> is the baseball pitcher in <Picture 1>: navy cap, white pinstriped uniform, leather glove, faint blue-white aura.
<Subject 2> is the soccer forward in <Picture 2>: tousled dark-brown hair, crimson shirt, black shorts, crimson socks, faint crimson-orange ember aura.
<Subject 3> is the basketball point guard in <Picture 3>: black high ponytail, purple sleeveless jersey and shorts, faint violet aura.
<Subject 4> is the volleyball wing spiker in <Picture 4>: very tall, black undercut, cobalt-blue sleeveless jersey, white knee pads, faint cyan aura.
<Subject 5> is the kyudo archer in <Picture 5>: long black low ponytail, white kyudo-gi, black hakama, tall asymmetric yumi bow, faint golden-white aura.
<Subject 6> is the environment shared by all five pictures: a vast pitch-black gymnasium studio with a single sharp overhead spotlight and a polished reflective wooden floor.
<Picture 6> is the keyframe of the final shot: a weathered off-white recruitment poster taped to a dark gym wall under a spotlight, with bold black brush calligraphy reading "部員募集" and a smaller line "未経験者大歓迎".

summary:
[reference generation + keyframe completion] The target video is a 15-second vertical 9:16 cinematic club recruitment film with 16 rapid cuts. <Subject 1> through <Subject 5> each get three quick cuts (receive, face close-up, strike) inside <Subject 6>, relaying one ball strictly left to right, while each club name builds itself as giant hollow outline typography. It ends on <Picture 6> as the arrow pierces the poster's center.

retention_analysis:
<Subject 1> (appears in [Shot 1]-[Shot 3]): fully_preserved - identity, uniform and aura retained.
<Subject 2> (appears in [Shot 4]-[Shot 6]): fully_preserved - identity, kit and aura retained.
<Subject 3> (appears in [Shot 7]-[Shot 9]): fully_preserved - identity, uniform and aura retained.
<Subject 4> (appears in [Shot 10]-[Shot 12]): fully_preserved - identity, jersey and aura retained.
<Subject 5> (appears in [Shot 13]-[Shot 15]): fully_preserved - identity, garments, bow and aura retained.
<Subject 6> (appears in every shot): fully_preserved - black studio gym, single spotlight, reflective floor.
<Picture 6> ([Shot 16] keyframe): fully_preserved - the poster layout and every Japanese character reproduce pixel-accurately; the arrow strike is an added event.

detailed_description:
The target video is a photorealistic cinematic vertical 9:16 sports film with exactly 16 rapid cuts at a fast punchy rhythm. Everything runs at normal or accelerated speed; slow motion is used exactly once, at the kyudo release. The one ball always travels left to right: every athlete receives it from frame left and sends it out frame right, and the ball changes sport mid-flight across cuts. Each club name is giant hollow outline condensed sans-serif capitals behind the athlete: its strokes draw in rapidly across the athlete's three cuts and the letters snap to solid white fill at the instant of the strike; the type is partially occluded by the athlete and is never a subtitle.
[Shot 1] Tight face close-up of <Subject 1>, sharp eyes under the navy cap brim; behind him the first outline strokes of "BASEBALL" begin drawing.
[Shot 2] At 00:00.800, full body: he coils into a fast wind-up, blue-white aura tightening, more strokes completing.
[Shot 3] At 00:01.600, he fires the pitch hard toward frame right; the ball rockets out of frame with an aura trail as "BASEBALL" snaps to solid white.
[Shot 4] At 00:02.400, the ball flies in from frame left as a soccer ball; <Subject 2> kills it with a chest trap, a deep thump, never touching it with his hands; outline strokes of "SOCCER" start drawing.
[Shot 5] At 00:03.200, tight face close-up: fierce grin, ember aura flickering at his shoulders, strokes still building.
[Shot 6] At 00:04.000, the dropped ball meets his instep and he blasts a full-power shot toward frame right, embers trailing; "SOCCER" fills solid white on the strike.
[Shot 7] At 00:04.800, the ball arrives from frame left as a basketball; <Subject 3> catches it cleanly against her chest; "BASKETBALL" outline begins drawing.
[Shot 8] At 00:05.600, face close-up of her fierce eyes, then she pounds one hard crossover dribble, shoes squeaking, violet aura at her hands.
[Shot 9] At 00:06.400, she rises and releases a jump shot; the ball arcs up toward the upper right and out of frame as "BASKETBALL" fills solid white.
[Shot 10] At 00:07.400, that same arc descends from the upper left as a volleyball toss; <Subject 4> is already exploding into his approach jump; "VOLLEYBALL" outline draws fast.
[Shot 11] At 00:08.200, mid-air face close-up: icy eyes locked on the falling ball, cyan aura crackling along his cocked arm.
[Shot 12] At 00:09.000, he spikes the ball ferociously down toward the lower right and it smashes out of frame with a floor-shaking slam echoing through the gym; "VOLLEYBALL" fills solid white on impact.
[Shot 13] At 00:10.000, hard cut to stillness and near silence: calm face close-up of <Subject 5>, golden-white light on her cheek; "KYUDO" outline draws slowly and quietly.
[Shot 14] At 00:11.000, full body side-on: she reaches full draw and holds absolutely motionless; the bowstring creaks once.
[Shot 15] At 00:12.200, she releases: an extreme slow-motion twang, the arrow flying toward frame right trailing golden particles as "KYUDO" fills white.
[Shot 16] At 00:13.200, the shot's keyframe corresponds to <Picture 6>: the poster alone in the spotlight; the arrow snaps in at normal speed and pierces the exact center with a deep thunk, the paper ripples, dust drifts, and the frame holds cleanly until exactly 15.000 seconds.
Throughout: preserve each athlete's exact face, hairstyle, uniform and colors; never redesign them. No dialogue, no narration, no singing. The only readable text is the five English words above, correctly spelled, and the poster's Japanese characters from <Picture 6>; no subtitles, no caption strips, no watermarks, no logos. Auras stay restrained; no cartoon speed lines. Exactly 16 cuts.

overall_soundscape:
Athletic sounds sit clearly in front of the music at all times, one sharp sound per cut: cleats scraping, the pitch whoosh, the deep chest-trap thump, the crack of the soccer strike, the basketball slap and one hard floor pound, shoe squeaks, the explosive spike slam echoing in the vast gym, the bowstring creak and twang, the arrow's thin whistle, and the final deep thunk into paper with a soft flutter. A faint large-room air tone continues throughout. No dialogue and no singing.

non_diegetic_music:
A driving cinematic percussion track at a fast tempo, deep taiko-like drums and tight ticking hi-hats, always mixed beneath the athletic sounds, with a hit locked to every cut. It drops to near silence at 00:10.000, holds a single low drone through the draw, lands one low resonant hit as the arrow strikes at 00:13.700, and resolves to silence exactly at 15.000 seconds.

code
integrated_multimodal_description: [Shot 1] Live-action, cinematic vertical 9:16 sports film shot like a premium athletic-brand commercial on a digital cinema camera: real human athletes with natural skin texture, visible sweat, flyaway hair, subtle film grain and realistic motion blur, never a CGI look. The setting for every shot is a vast pitch-black gymnasium studio with a single hard overhead spotlight and a polished reflective wooden floor. The film has exactly 16 rapid cuts at a fast punchy rhythm; slow motion appears exactly once, at the kyudo release. One ball relays strictly left to right: every athlete receives it from frame left and sends it out frame right, and the ball changes sport mid-flight across cuts. Each club name is giant hollow outline condensed sans-serif capitals behind the athlete: its strokes draw in rapidly across that athlete's three cuts and the letters snap to solid white fill at the instant of the strike, partially occluded by the athlete, never a subtitle. Every athlete moves with authentic, biomechanically correct sports technique. The film opens on a tight face close-up of a lean 17-year-old Japanese high school pitcher with sharp eyes under a navy cap brim, white pinstriped uniform, a faint blue-white aura; behind him the first outline strokes of "BASEBALL" begin drawing.
[Shot 2] At 00:00.800, full body: he flows through real pitching mechanics — high leg kick, long stride, hips firing before shoulders, arm whipping through — as more strokes complete.
[Shot 3] At 00:01.600, he releases the fastball hard toward frame right; the ball rockets out of frame with a thin aura trail as "BASEBALL" snaps to solid white.
[Shot 4] At 00:02.400, the ball flies in from frame left as a soccer ball; a Japanese high school forward with tousled dark-brown hair, crimson shirt and black shorts arches back and cushions it with a proper chest trap, killing it dead, never touching it with his hands; outline strokes of "SOCCER" start drawing.
[Shot 5] At 00:03.200, tight face close-up: fierce grin, faint ember aura at his shoulders.
[Shot 6] At 00:04.000, the dropping ball meets his laces and he rifles a full-power volley toward frame right with a complete follow-through, embers trailing; "SOCCER" fills solid white on the strike.
[Shot 7] At 00:04.800, the ball arrives from frame left as a basketball; a Japanese high school girl with a black high ponytail, purple sleeveless jersey and shorts, catches it cleanly against her chest; "BASKETBALL" outline begins drawing.
[Shot 8] At 00:05.600, face close-up of her fierce eyes, then one razor-sharp low crossover dribble, ball snapping below her knees, shoes squeaking, a faint violet aura at her hands.
[Shot 9] At 00:06.400, she rises into a textbook jump shot with a high release and clean wrist-snap follow-through; the ball arcs toward the upper right and out of frame as "BASKETBALL" fills solid white.
[Shot 10] At 00:07.400, that same arc descends from the upper left as a volleyball toss; a very tall Japanese high school boy with a black undercut, cobalt-blue sleeveless jersey and white knee pads explodes through a real three-step spike approach and leaps; "VOLLEYBALL" outline draws fast.
[Shot 11] At 00:08.200, mid-air face close-up: icy eyes locked on the falling ball, a faint cyan aura along his cocked arm.
[Shot 12] At 00:09.000, he spikes with a full arm swing, hammering the ball down toward the lower right and out of frame with a floor-shaking slam; "VOLLEYBALL" fills solid white on impact.
[Shot 13] At 00:10.000, hard cut to stillness and near silence: calm face close-up of a Japanese high school girl archer with long black hair in a low ponytail, golden-white light on her cheek; "KYUDO" outline draws slowly and quietly.
[Shot 14] At 00:11.000, full body side-on: in white kyudo-gi and black hakama she raises and draws a tall asymmetric yumi bow with correct kyudo form, reaching full draw and holding absolutely motionless; the bowstring creaks once.
[Shot 15] At 00:12.200, she releases: an extreme slow-motion twang, the arrow flying toward frame right trailing faint golden particles as "KYUDO" fills white.
[Shot 16] At 00:13.200, the camera cuts to a weathered off-white recruitment poster taped to the dark gym wall under the spotlight, bearing bold black brush calligraphy reading "部員募集" and a smaller sans-serif line "未経験者大歓迎", every Japanese character perfectly written and fully readable; the arrow snaps in at normal speed and pierces the exact center with a deep thunk, the paper ripples, dust drifts through the beam, and the frame holds cleanly until exactly 15.000 seconds.
Throughout: real photographic human faces and bodies only — no CGI look, no 3D render, no plastic skin, no beauty-filter faces, no anime. No dialogue, no narration, no singing. The only readable text is the five English words above, correctly spelled, and the poster's two Japanese lines; no subtitles, no caption strips, no watermarks, no logos. Auras stay faint and restrained; no cartoon speed lines. Exactly 16 cuts.

overall_soundscape: Athletic sounds sit clearly in front of the music at all times, one sharp sound per cut: cleats scraping, the pitch whoosh, the deep chest-trap thump, the crack of the soccer volley, the basketball slap and one hard dribble pound, shoe squeaks, the explosive spike slam echoing in the vast gym, the bowstring creak and twang, the arrow's thin whistle, and the final deep thunk into paper with a soft flutter. A faint large-room air tone continues throughout. No dialogue and no singing.

non_diegetic_music: A driving cinematic percussion track at a fast tempo, deep taiko-like drums and tight ticking hi-hats, always mixed beneath the athletic sounds, with a hit locked to every cut. It drops to near silence at 00:10.000, holds a single low drone through the draw, lands one low resonant hit as the arrow strikes at 00:13.700, and resolves to silence exactly at 15.000 seconds.

code
# LIBRE『WEAR WHAT YOU LOVE』15秒詳細台本  **尺：**15秒 **画角：**9:16 **スタイル：**海外ハイブランドのランウェイショー × 多国籍モデル × 高速タイポグラフィ。テーマは「生まれや人種に囚われず、好きな格好をしていい」。文化とスタイルをあえてクロスさせる：日本人モデルが西洋オートクチュール、白人モデルがチャイナドレス、黒人モデルが原宿デコラ。**実写質感：**natural skin texture、汗と後れ毛、フィルムグレイン、リアルなモーションブラー。CGI風・プラスチック肌・美肌フィルター禁止。**画面内テキストは英語のみ。日本語・中国語の文字は画面に一切出さない。** **音楽：**Runway Techno / Fashion House、BPM128。太いキック＋タイトなハイハット＋ストリングスヒット＋シルクを裂くようなFX。 **基本演出：**人物だけをポーズさせない。人物・カメラ・前景小物・背景照明を異なる方向と速度で同時に動かす。0〜10秒は高速、10秒で一度静かにし、11秒から再爆発、13秒でメッセージへ着地。  ## CUT01｜0.0–1.0秒  **Visuals：**暗転したバックステージ。スポットライトが手前から奥へバン、バン、バンと連続点灯しランウェイが姿を現す。カメラが光の列を駆け抜け黒幕へクラッシュイン、幕を突き抜けた先に最初のモデルの目元どアップ。巨大「WHO DECIDES?」が斜めから叩き込まれる。 **Camera：**18mm超広角の高速前進→最後の0.2秒だけ85mm相当の目元寄り。 **Motion：**モデルはまぶたをゆっくり上げ、視線をカメラへロック。 **Lighting：**硬いスポット光の列＋白リム。 **VFX：**カメラフラッシュ2フレーム、微細な印刷ズレ。 **SFX：**バッ、バッ、バッ→ドン！ **Text/Telop：**「WHO DECIDES?」 **Emotion：**1秒で「これは常識に挑むショー」だと理解させる。 **Transition：**無数のカメラフラッシュで白ワイプ。  ## CUT02｜1.0–2.2秒  **Visuals：**LOOK01「GOLD」。黒髪シニヨンの日本人モデル。金糸刺繍のオートクチュールガウン＋ダイヤのジュエリー。フラッシュが明滅する観客席の間のランウェイを堂々と闊歩。 **Camera：**24mm膝下ローポジションのサイドトラッキング→正面へ回り込みながら10°ロール。 **Motion：**大股ウォーク。裾が波打ち、最後に片手を腰へ。 **Lighting：**ゴールドのキーライト＋観客席フラッシュ。 **VFX：**フラッシュ明滅、宝石の鋭いスペキュラー。 **SFX：**ヒール音＋シャッター連写。 **Text/Telop：**巨大「GOLD」＋小さく「OWN IT」 **Emotion：**王道のゴージャス。 **Transition：**翻ったガウンの裾がレンズを覆う。  ## CUT03｜2.2–3.3秒  **Visuals：**LOOK02「SILK」。プラチナブロンドの白人モデル。朱色シルクのチャイナドレスに金の刺繍、翡翠のイヤリング、手には大きな扇。扇がまずレンズ前を横切り、その背後からモデルが現れる。 **Camera：**28mm。扇を前景に使い右側へ高速回り込み→最後だけ50mm腰上。 **Motion：**180°ターンで袖と裾が舞い、肩越しにカメラを見る。 **Lighting：**朱色に映えるトップ光＋シアンの細いリム。 **VFX：**シルクの光沢、刺繍の金が瞬く。 **SFX：**ヒュン→バサッ→カチッ。 **Text/Telop：**「SILK」 **Emotion：**大胆なカルチャークロス。 **Transition：**扇が閉じて朱色フラッシュ。  ## CUT04｜3.3–4.4秒  **Visuals：**LOOK03「KAWAII」。黒人モデル。パステルピンクのツインお団子ヘア、原宿デコラの大量アクセ、レイヤードチュールスカート。跳ねるウォークで進み、左右からヘアクリップ、ビーズ、リボンが次々装着される。 **Camera：**50mm開始、90°高速オービット→70mm胸上へ。 **Motion：**跳ねるステップ→両腕を広げてウィンク。 **Lighting：**明快なスタジオ光、浅いシャドウで色最優先。 **VFX：**アクセの連続増殖、背景ドットの逆方向パララックス。 **SFX：**タッ、タッ、ポン！ポン！ **Text/Telop：**「KAWAII」 **Emotion：**盛ることそのものが喜び。 **Transition：**巨大リボンが結ばれ、結び目から次カットが開く。  ## CUT05｜4.4–5.6秒  **Visuals：**画面が縦3分割。左＝GOLD、中＝SILK、右＝KAWAII。3人が同時に別々の会場をウォーク。 **Camera：**左＝35mmドリーイン、中＝28mm横トラック、右＝50mmティルトアップ。3画面を同じ動きにしない。 **Motion：**ウォーク、扇スイング、ジャンプを0.15秒ずつずらす。 **Lighting：**各ルック専用の色設計を保持。 **VFX：**分割境界線がゴールドチェーン→龍刺繍→ビーズへ高速変化。 **SFX：**カッ！カッ！カッ！→ドン！ **Text/Telop：**中央をまたいで巨大「NO BORDERS」 **Emotion：**別々の文化が同じ鼓動で歩く。 **Transition：**3画面がカード状に手前へ倒れ、裏から次のモデルが出現。  ## CUT06｜5.6–6.8秒  **Visuals：**LOOK04「REBEL」。褐色肌の南アジア系モデル。タータンチェックのパンクスーツにサリー風ドレープを重ね、チェーンアクセ。カメラへ2歩踏み込み、手を突き出す。 **Camera：**24mm。突き出した手に向かって前進し、手の下をくぐり抜けローアングルへ下降。15°ロール。 **Motion：**踏み込み→手のひらでレンズを覆いにくる。くぐる瞬間に顔が上から覗き込む。 **Lighting：**マゼンタ×シアンのエッジ光＋白いビューティーライト。 **VFX：**チェーンの残像、背景ストライプの高速伸縮。 **SFX：**ズン→ジャラッ→バン！ **Text/Telop：**「NO RULES」 **Emotion：**挑発的でパワフル。 **Transition：**手がレンズを完全に覆って暗転。  ## CUT07｜6.8–7.8秒  **Visuals：**黒×白の巨大タイポグラフィ空間。「STYLE HAS NO PASSPORT.」だけが存在し、背景に「NO RULES」が何十層も重なる。カメラが文字の内部へ高速侵入し、文字の隙間を飛行して最後のピリオドを突き抜ける。 **Camera：**文字間フライスルー。手前と奥の文字を異なる速度で流す。 **Motion：**文字そのものが逆方向に流れる。 **Lighting：**グラフィック主体、紙の凹凸だけ薄く。 **VFX：**紙破れ、コピー機ズレ、スクラッチ。 **SFX：**バサッ→ゴォッ→ドン！ **Text/Telop：**「STYLE HAS NO PASSPORT.」 **Emotion：**CMの思想を宣言。 **Transition：**ピリオドが巨大化して次カットへ。  ## CUT08｜7.8–9.0秒  **Visuals：**バックステージ通路。4人のモデルが横並びでカメラへ向かって歩き、ジャケットとドレープを翻す。 **Camera：**24mmローアングル。歩みに合わせて1.5mクレーンアップしながら前進、10°ロール。 **Motion：**4人のストライドを僅かにずらし、中央の2人が最後に視線を交わす。 **Lighting：**強コントラストの通路灯、髪とチェーンに白エッジ。 **VFX：**通路灯のフリッカー、ジャンプカット。 **SFX：**ジャラッ→バン！→キュッ。 **Text/Telop：**「TOO BOLD?」 **Emotion：**少し挑発的。 **Transition：**0.08秒だけ映像と音を完全停止。  ## CUT09｜9.0–10.0秒  **Visuals：**顔どアップの3連発。日本人→白人→黒人の順に各0.3秒で切り替わり、それぞれの周囲に宝石、扇、アクセサリーが異常な勢いで増殖。最後に南アジア系モデルが片眉を上げ、全てが停止。 **Camera：**85mm顔アップ→ラスト0.3秒で24mm相当まで超高速プルバック。 **Motion：**モデルはほぼ動かず、周囲だけ暴走。 **Lighting：**顔のライトを固定し背景色だけ連続変化。 **VFX：**モチーフ増殖が画面占有率85％→0.1秒で全停止。 **SFX：**ポポポポポポ→ブツッ。 **Text/Telop：**巨大「NEVER ENOUGH.」 **Emotion：**最大のユーモアとフック。 **Transition：**すべての音とオブジェクトが一瞬で消える。  ## CUT10｜10.0–11.2秒  **Visuals：**純白のランウェイ。4人が横一列で静かに2歩歩く。装飾は最終ルックとして洗練統合。画面には4人だけ。 **Camera：**35mm正面。歩く速度と同じ速度で後退するドリーバック。 **Motion：**2歩目で髪と裾だけ揺れる。 **Lighting：**ハイファッションのクリーンな白色光。 **VFX：**ほぼ無し。 **SFX：**音楽を薄くし「コツ、コツ」というヒール音だけ明瞭に。 **Text/Telop：**なし。 **Emotion：**静寂で存在感を最大化。 **Transition：**2歩目の着地で床から金の波紋。  ## CUT11｜11.2–13.0秒  **Visuals：**フィナーレ爆発。紙吹雪とフラッシュの嵐。4人が並んで歩くフィナーレウォークの間を、ポラロイド風写真カードと雑誌切り抜きが奥行きに何十枚も出現するコラージュ空間の中、カメラが蛇行前進。最後の0.4秒で中央に4人を収めて着地。 **Camera：**18mm蛇行前進＋軽い180°オービット感。 **Motion：**4人は前進、写真カード群は逆回転。 **Lighting：**人物は白キーで分離、背景コラージュはフラット。 **VFX：**紙吹雪、写真カード、印刷ズレ、カラーフラッシュ。 **SFX：**シュシュシュシュ→上昇音→ドン！ **Text/Telop：**巨大「WEAR WHAT YOU LOVE」 **Emotion：**クライマックス。 **Transition：**全グラフィックが中央へ吸い込まれアイボリー一色。  ## CUT12｜13.0–15.0秒  **Visuals：**アイボリー背景。4人が並ぶファイナルタブロー、画面中央下に小さめ配置。上から巨大「WEAR」が落下し、0.15秒遅れて「WHAT YOU LOVE」が下から突き上がる。最後にメゾンロゴ「LIBRE」と小さく「PARIS · TOKYO · EVERYWHERE」。 **Camera：**13.0〜13.5秒だけ4％プッシュイン、その後完全ホールド。 **Motion：**4人が同時に少し笑う。文字は1回だけバウンド。 **Lighting：**フラットでクリア、人物とタイポの視認性最優先。 **VFX：**タイポスラム、微細な印刷ズレ。 **SFX：**ドン！→ドン！→キラッ。 **Text/Telop：**「WEAR WHAT YOU LOVE」／「LIBRE」／「PARIS · TOKYO · EVERYWHERE」 **Emotion：**多様性を説教ではなく高揚で伝える。 **Transition：**14.8秒から完全静止して終了。  ## 音楽・編集の重要ポイント  **0.0〜5.6秒：**Runway Technoを細かく刻み、ほぼ1秒ごとに音色を切替。 **5.6〜7.8秒：**ベースを太くし少しダークに。 **7.8〜10.0秒：**最も細かいビート。9.9秒で突然すべて止める。 **10.0〜11.2秒：**キックを抜きストリングス＋ヒール音中心で一瞬静かに。 **11.2〜13.0秒：**フルビート復帰、最高潮。 **13.0〜15.0秒：**「WEAR」「WHAT YOU LOVE」の2ヒットを強拍と完全同期。余韻を残して止める。  ## モーション設計の最重要ルール  **人物とカメラを同じ方向に動かし続けない。**人物が右へターンするならカメラは左へオービット、人物が前へ歩くならカメラは後退する。 **前景を必ず使う。**扇、裾、チェーン、紙吹雪、写真カードをレンズ直前に通す。 **ドリーインを連発しない。**Tracking / Orbit / Roll / Crane Up / Pull Back / Foreground Pass / Lens Passをカットごとに分散。 **10秒だけ意図的に静かにする。**静→再爆発で後半のスピードを強調。  ## 禁止事項  実在ブランドのロゴ・モノグラムを出さない。画面内テキストは上記の英語のみで、日本語・中国語・字幕・キャプション・ウォーターマークを出さない。モデルは4人とも架空の人物。CGI風の肌・アニメ調にしない。

code
subject_definitions:
<Picture 1> is the official L-Proxy brand logo: a green rounded-square icon containing a bold white letter "L", followed by the green sans-serif wordmark "L-Proxy" on a white field.
<Subject 1> is the old man: cute round elderly face, small topknot, COOL traditional clothing, exaggerated comic expressions, recognizable simple silhouette.
<Subject 2> are the mice: tiny round mice with big ears, simple dot eyes, tiny paws, a busy but adorable operations team.
<Subject 3> is the style system shared by every shot: very simple flat illustration, bold hand-drawn outlines, subtle washi texture, low information density, generous negative space, cute readable characters, and refined Japanese editorial typography. Lock palette: PAPER = warm washi cream, INK = sumi black, COOL = edo indigo, WARM = soft golden yellow, HOT = vermilion red, plus the logo green of <Picture 1> used only for the logo and its diagram.

summary:
[reference generation] The target video is a 15-second vertical 9:16 Japanese SNS-ad × folk-picture-book motion-graphics commercial based on "Omusubi Kororin". <Subject 1> chases a rolling rice ball into a mouse hole and finds <Subject 2> running a frantic LINE-operation floor. <Picture 1> appears twice: at the center of the connection diagram on a mouse's monitor, and as the final end-card logo.

retention_analysis:
<Picture 1> ([Shot 6] monitor hub and [Shot 8] end card): fully_preserved - the icon and "L-Proxy" wordmark reproduce exactly, correctly spelled, never redesigned or recolored.
<Subject 1> (appears in [Shot 1]-[Shot 4], [Shot 7]): fully_preserved - silhouette, topknot and COOL clothing retained.
<Subject 2> (appears in [Shot 4]-[Shot 8]): fully_preserved - the mouse character system is retained.
<Subject 3> (every shot): fully_preserved - flat picture-book style, washi texture and locked palette never change.

detailed_description:
The target video uses only slide-in, pop-up, paper-card assembly, scale change, circular bubble, color-field wipe, track-matte reveal, pose-to-pose replacement, hard cut, and one short push-in. Each shot communicates one idea with one or two characters, one main object, and almost no background detail. Typography is centered, elegant, moderate in size, with simple underline or highlight accents.
[Shot 1] 00:00.000-00:01.800. PAPER hillside with two simple grass shapes. <Subject 1> sits on a small WARM mat holding a white triangular rice ball with an INK nori strip. It slips from his paws, bounces once, and rolls toward frame right. Centered typography appears through paper-card assembly: 「おむすび、ころりん。」 Make 「ころりん」 HOT, the rest INK, with one small WARM underline. Static camera.
[Shot 2] 00:01.800-00:03.300. The rice ball rolls into a small dark hole under a simple tree root. <Subject 1> lunges after it, tips forward, and tumbles headfirst into the hole with a comic INK impact burst. Reveal 「すっとんとん。」 with 「すっとんとん」 HOT and a compact scale change.
[Shot 3] 00:03.300-00:04.800. COOL vertical tunnel, almost empty. <Subject 1> falls in a slow flat rotation past two or three simple root shapes while a faint WARM glow grows below. One small WARM bubble containing 「？」 pops up and disappears. Near silence.
[Shot 4] 00:04.800-00:06.600. Wide reveal of the underground floor: rows of tiny desks where many of <Subject 2> type on tiny PCs wearing headsets, simple rounded message bubbles flying overhead along dotted paths, one WARM lantern above. It reads instantly as an adorable, extremely busy LINE-operation office. <Subject 1> lands on his bottom in the foreground, stunned. Add small vertical 「カタカタ、カタカタ…」 near the desks.
[Shot 5] 00:06.600-00:07.800. Hard cut to an extreme close-up of one mouse's paws typing a very fast rhythmic two-pose KATA-KATA cycle; a second mouse slides past pushing a tiny cart stacked with message bubbles. Show only paws, keyboard, and the desk edge.
[Shot 6] 00:07.800-00:10.300. Close-up of the mouse's monitor filling most of the frame. At its exact center sits <Picture 1>, reproduced faithfully. From the left, one simple COOL official-account icon (a rounded chat-bubble symbol with no readable text) connects into <Picture 1> with a single clean line. Then three lines snap outward from its right side one after another to three simple service icons: a chat-robot bubble, a bell, and a bar chart. Small arrow pulses travel along the lines, showing messages flowing. The diagram assembles with clean snapping animation, instantly readable as "the official LINE account connects through L-Proxy to many services."
[Shot 7] 00:10.300-00:12.600. Fast PAPER wipe to the punchline composition. Centered typography: 「公式LINE、ぜんぶ繋がる。」 Emphasize 「ぜんぶ繋がる」 with HOT and one WARM highlight block. The shocked <Subject 1> slides in from lower-left with a small overshoot and simple INK impact burst; one confident mouse slides in from lower-right holding a tiny PC with one HOT/WARM eye sparkle; another mouse carries the rice ball away at the bottom edge. Preserve large PAPER negative space.
[Shot 8] 00:12.600-00:15.000. A playful Japanese direct-response TV-commercial ending. PAPER fills the frame. Center <Picture 1> as a clean logo lockup, exactly as referenced. Beneath it, display smaller typography: 「エルプロキシで検索」. Add one tiny cheerful mouse mascot and one rice ball as the only pictorial elements. Use restrained paper-card assembly, one compact scale settle, and hold clearly to 15.000 seconds.
No detailed environments, realistic lighting, glossy 3D, excessive props, gradients, glitch, random particles, or visual clutter. The only readable text is the Japanese typography named above plus the "L-Proxy" wordmark inside <Picture 1>; no subtitles, no captions, no watermarks, no other logos or brand marks.

overall_soundscape:
Text appearances use dry paper pops; wipes use compact paper-wipe sounds. Shot 1: soft koro-koro rolling taps. Shot 2: a comic slip squeak and a paper thud. Shot 3: a thin falling whistle in near silence. Shot 4: a sudden dense-but-cute office ambience of tiny keyboards, message-bubble pings, and cart squeaks. Shot 5: rapid KATA-KATA typing locked to rhythm. Shot 6: clean line snaps, connection ticks, and one soft chime as each of the three routes links. Shot 7: strongest paper impact plus a firm kick, a comic low hit for the old man, a bright sparkle for the mouse. Shot 8: a short commercial-logo impact followed by one bright confirmation note. No dialogue, narration, or vocals.

non_diegetic_music:
Original 15-second track around 138 BPM using dry wooden percussion, muted claps, shamisen-like synthetic plucks, rounded bass pulses, and a compact electronic kick. 0-3s sparse and playful; 3-4.8s thin and mysterious during the fall; 4.8-10.3s suddenly accelerate into a busy cheerful groove with the typing rhythm and connection ticks; 10.3-12.6s use the fullest groove for the punchline; 12.6-15s resolve into a catchy short Japanese commercial-jingle ending for the logo card. No fade out.